“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.” – T.S. Eliot
Exploration Quarterly
A new magazine
for those who do not cease
to BE CURIOUS . . .
to LEARN . . .
to EXPLORE . . .
Sample Content (Partial Articles)
from Volume 1, Number 1 (July 2024 publication date):
Each year our Explorers receive:
Two beautiful perfect-bound print issues
Two digital issues including video and long-form articles
PLUS
Access to exclusive events for subscribers, including annual Exploration Quarterly Subscriber Field Camps (at extra cost).
Exploration Departments:
Victualling
Field Arts – Journal shares, tutorials, projects, and tools
Arts & Letters – Book reviews
Equipment Reviews
Vehicle Features – Cars, bikes, boats, motorcycles, aircraft
White Papers – Consumer education guides
Skills – How-To Clinics . . . and much more
Expeditions, Historic & Modern
Overland and Travel Adventures
Explorers of Note
Classic Kit
Artifact
Cartographia
Bestiary
Come explore with us.
Please note: The cutoff time to be included in the mailing for Vol. 1, No. 1 has passed.
If you subscribe now, your subscription will begin with the October online-only issue, Vol. 1, No. 2 (but you will have digital access to No. 1!)
Publication schedule:
July (print issue with digital version)
October (all-online content)
January (print issue with digital version)
April (all-online content)
Two beautiful 112+ page printed issues by mail every year (US postage included in this pricing package) PLUS everything listed in the Digital Issues package. We deliver issues in July, October, January, and April. NOTE: THIS IS FOR USA DELIVERY ONLY ; select International Subscription for other countries.
This package includes two online versions of the print magazine in a flip-format with live links to references and products, as well as two online-content-only issues with video, interviews and much more. We deliver issues in July, October, January, and April.
Two beautiful 112+ page printed issues by mail every year (for INTERNATIONAL DELIVERY; postage included in this pricing package) PLUS everything listed in the Digital Issues package. We deliver issues in July, October, January, and April.
What is EXPLORATION?
Exploration can be geographical
Exploration can be fractal
Exploration can be introspective
Exploration can be expansive
Exploration can be structured
Exploration can be unplanned
Exploration can happen every day
Exploration is continuously seeking new places, new ideas, new knowledge.
Exploration is the essence of being human, what brought us from the forests into the savannah, and beyond the horizons of earth and to the edges of the known universe.
We shall not cease EXPLORATION
JOIN US.
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Sample Content from Upcoming Issues:
Vol. 1, No. 2 — October 2024 (Online)
Vehicle Field Tests:
2024 Subaru Crosstrek Wilderness—a capable overlander and perfect field arts vehicle.
2024 Ford Ranger Raptor—a powerful and surprisingly excellent overland vehicle; Jonathan will explain why he didn’t want to send this one back.
White Paper (in-depth consumer guide): Binoculars
Equipped: Best Camp Chair
Field Arts project: Template and instructions to make a timeless Lewis and Clark style leather field journal
Field Arts Tutorial: Iridescence with watercolor
Field Arts Feature: Fountain Pens 101
Video content: Field Arts Interview with Linda Feltner, who has a new book, Drawing Nature: the creative process of an artist, illustrator, and naturalist
Arts and Letters: The Moment Collectors: Asia
Classic Kit: The Coleman Lantern
Victualling Video: Stovetop Pizza (with a secret weapon)
and more!
NOTE: THESE ARE INITIAL CONTENT IDEAS, SUBJECT TO CHANGE. HAVE AN IDEA? SEND US YOUR THOUGHTS!
Vol. 1, No. 3 — January 2025 (Print)
Historic Expedition: Finding the Wreck of the Lady Be Good in the Sahara
Scientific Expedition: San Pedro Martir, Sea of Cortez, Mexico — by botanist Dr. Benjamin Wilder
Adventure: Sailing Around the World with a Family
Artifact: Chasing T.E. Lawrence
Classic Kit: Zenith Trans-Oceanic portable shortwave radio
Field Arts Feature: Sarah Lemmon by Wynne Brown
Field Arts Expedition: Chroma Sonorensis: Of ochres and jaguars
Arts and Letters: Camel Trophy: The Definitive History
Legendary Explorer: John Rae, the greatest explorer you’ve not heard of
Cartographia: John Rae Map
Equipped: Best Portable Water Systems
Decisions, Decisions: 10 Things to Leave Off Your Vehicle
Victualling: Ray Turner’s Paloma
Vol. 1, No. 4— April 2025 (Online)
Equipped: Best Medium Cargo Containers
Skills: Backing Up with Mirrors
And much, much more!
Blood & Leather: An Expedition to Record the Making of Maasai War Shields
In the eighteenth and nineteenth centuries, East Africa’s Maasai warriors were so feared that Arab slave traders reportedly paid the tribe tribute for safe passage around their territory. The Maasai raided neighboring tribes for cattle, and even when the British arrived the Queen’s army chose negotiation over confrontation.
Gradually, however, disease and internecine strife reduced the tribe’s strength; the Maasai were forced to give up their nomadic pastoral lifestyle, and with it their militance. The traditional long spear, or imperi, survived, but the o-long—the magnificent buffalo-hide war shield, with its intricate sirata designs revealing the carrier’s background and status—slowly disappeared, as they rotted away in the corners of huts or were sold off as souvenirs. By the late twentieth century few young Maasai had seen one, and the knowledge to make them had nearly vanished.
That was not acceptable to a few Maasai leaders in Kenya’s South Rift Valley, who were determined to preserve the knowledge before it disappeared entirely. Their inquiries led to two elders: Tonkei ole Rimpaine and Karinte ole Manka, both former shield carriers, who suggested that, rather than simply write down the process, why not actually construct one or more using traditional materials (rawhide and wood), construction techniques, and paints made from ochre, charcoal, and blood to form the symbolic designs.
Roseann and Jonathan Hanson raised funds to support the weeklong work sessions, and recorded the process in images, words, and video, which they will share in depth in Exploration Quarterly.
RESOURCES
Photography and videography equipment:
Canon EOS 5D Mark II; 24-10mm f/4 L IS; 300mm f/4 L; 70-200mm f/4 L
Vehicles:
Land Rover Defender (300 TDi turbodiesel) and Toyota Hilux with camper shell
Into the Arctic:
Overlanding Alaska’s Dalton Highway
Farthest North: the Dalton Highway, or Haul Road, is a holy grail for overlanders, the North American road which will take you all the way to 70º latitude on the Arctic Ocean. Built in 1974 to bring support trucks to the oil refineries at Deadhorse, Alaska, its 414 unpaved miles, open year-round, were fraught with dangerous mud, landslides, white-outs, fog, and avalanches.
Today some 25% of the road is paved, yet there remains much hyperbole you may have seen on shows such as Ice Road Truckers. But serious accidents are rare—there have been just eight fatalities on the Dalton since 2008. Your route to work is probably deadlier.
Why, then, undertake the drive if not for death-defying heroics? Simple: No other road in the U.S.—and in fact few in the world aside from the Dalton’s Canadian sister route, the Dempster—traverses so much astounding scenery and affords views of so much wildlife. Forgive the hacks who refer to Alaska’s North Slope as “America’s Serengeti.” It’s a banal but entirely justifiable comparison.
We fell in in love with the Far North in 1994 when we kayaked down Canada’s Mackenzie River to the Arctic Ocean, and we wanted to re-acquaint ourselves with the arctic tundra and its flora and fauna. However, our original plan to drive our HZJ75 Land Cruiser from Tucson to Alaska was stymied by the continued COVID closure of the Canadian border. So we decided on a different strategy. We booked airline tickets to Fairbanks, and assembled a lightweight camping kit that fit in a single duffel bag. We scheduled our trip for late August/early September, to miss both most tourists and most mosquitoes, and rented a late-model Chevrolet Suburban 4-wheel-drive. Then we headed north.
Join Roseann and Jonathan on an exploration of Alaska’s Arctic region, including images, video, and field sketches and maps from Roseann’s field journal in a future edition of Exploration Quarterly.
RESOURCES
Photography and videography equipment:
Sony Alpha 9 camera, 24-105mm Sony G FE lens, Sony G FE 12-24mm lens
Vehicle:
2021 Chevrolet Suburban 4WD, rented in Fairbanks, Alaska
Antarctic Tragedy Unrolled
How often do you get to hold history in your hands?
During a recent vist to London, we stopped in The Map House, one of England’s most venerable dealers of antiquarian maps, clocks, and oreries.
After poring over many beautiful maps, we purchased several of Arctic exploration and got to chatting with manager Philip Curtis, who then gave us a tour of their behind-the-scenes archives. From a drawer he extracted a nondescript bit of rolled canvas, which he laid out flat on a table. We looked closer, and gasped.
On a stitched-in rectangle of smudged white muslin was a complete, hand-drawn pictorial record of Robert Falcon Scott’s disastrous trek to the South Pole in 1911—including locations filled in after his remains and those of his four companions were located months after their deaths, as well as a clue to the seemingly insignificant decision that spelled their doom.
Learn the story behind the map and Scott’s tragic end in Exploration Quarterly.